Craig Wisner


Rubio Canyon. 12/6/14.

Rubio Canyon with Eddy on Saturday AM.

This was a special trip as it marks three months since my heart surgery and the end of taking anticoagulants.  Given all the fear and anxiety of my recent days, it felt awfully good to be back in the canyons.  I stopped mid rappel on one of the larger falls, standing with the water flowing around me.  I took a good look around and a deep breath with a smile.  I’m very grateful to be back.  And it doesn’t hurt to live within two miles of all these canyons and many ~100′ waterfalls.


The last of the larger falls, Thalehaha, as seen from above on the approach in.






Los Padres Overnight.

Guests in the land of the black bear.

A few pics from an easy overnight with Michael, wandering cross country and exploring some ridgelines we’d never climbed.  Getting the lay of the land, learning the canyons and slopes.  Bear sign everywhere.  We were about to set camp on a ridge when we realized it was a bear superhighway.  And of course I brought a salmon salad for dinner and forgot line to hang a bear bag.  I was a little restless that night, expecting to hear my food get pulled out of a tree at any moment.  I heard them in the darkness but they left us and our food alone.

Golden fall light, long shadows, everything warming in tone and preparing to die back.

I can’t wait for snow.



A big one.

A big one.



Respite. (Angeles National Forest, 10/18/14.)

I wandered the PCT for a few hours, no real plan as to where I’d be going or how long I’d walk.  No maps.  In the end it was 8-10 miles, with a pack, rolling terrain.  My heart behaved itself well.

Turning down one canyon I heard voices ahead, children laughing and screaming.  I must be coming upon a trail camp.  I turned around, scrambled to a ridge instead, heading cross country for another drainage.

Deer sign everywhere, crisscrossing gullies and cutting up hillsides.  Though I had trouble discerning how fresh.  It’s been so long since rain, it’s hard to tell in sandy soil.  No water, everything dry.  I’m not sure where the deer are going.  The question on every hunter’s mind right now.

Twice a thick-tailed, cat-sized animal races across a dry stream bed.  Ringtail?

I set camp in a small drainage, cooked vegetarian udon noodles, inviting all my friends to a quiet dinner; Rumi, Subhuti, St. Anthony of the Desert, Hamza el Din, Ali Akbar Moradi.  Mark Rothko was was there but didn’t speak much.  Nietzsche had to be told to leave.  I like him, but he’s not good with company.

Meal done and light fading, I’m left in the dark with nocturnal birds, wondering what’s got them going,  finishing the last pages of the Diamond Sutra by candlelight.  I figured it should probably be burned since it doesn’t even exist, but better judgement decided against it.  I imagined myself days later, being led from my house in handcuffs, the Saturday night lunatic that was burning Buddhist sutras and set the forest on fire.  Not the legacy I intend to leave.

It would be nice to say there were revelations, thoughts worth sharing about the nature of man and wilderness, speculation on the role of backpacking as pilgrimage or an escape from the trappings of alienation.  But no, there was none of this.

I found myself sitting in the darkness, alone with cold hands, listening to crickets and birds flitting about.  And the bear that started circling my camp, despite repeatedly yelling at it to leave.  I’d yell, it would run.  In ten minutes it would be back.  We played this game for forty minutes.

Fuck this.  Speculating on the illusory nature of the universe is fine and good until you have a bear in your camp.

I packed my gear and hiked out in the dark.  But that was okay, whatever I came to get I had already found.  And I’ve always enjoyed hiking alone at night.

I listened to the entirety of John Coltrane’s Impressions on my drive back down the mountain.  The first track, India, kills me.  All my windows down, sax notes and crisp midnight air swirling through the cabin of my car.

A good night indeed.

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The Now of it All.

I was hardly a Japanese scholar, but studied it enough in college to be semi-literate when I arrived in Japan to teach English nearly two decades ago.  Nor am I a calligraphy master, though I enjoyed practicing.  Zen brushwork has always appealed to me; I was gifted a scroll by a Zen monk upon leaving.

I don’t practice it anymore, my command of the language has virtually disappeared, all the skill fading into history and nothingness.

In these days I find myself thinking a lot about life, about transience, about how there is no other world but this.  No other life, no other self, no other place to be but here.  While I would not identify myself as being a Buddhist, Zen Buddhism has had a profound influence on my thinking in this regard.

I remember a particular lecture long ago, a monk discussing the illusory concepts of past and future, illustrated by two sides of the same coin, with the present being the thin metal that binds the two faces together.  The two faces of the coin could not exist were it not for the substance between them; it is the thickness of the coin that creates it.  One cannot have a one-sided coin.  Thus there is only the present; what lies on either side of it is illusion.  All we can grasp is the thin, ever-changing space between what we call past and what we call future.

When I was eighteen years old I was awakened to a phone call pronouncing my father dead.  Up to that point, I always assumed there would be more time.  I immediately quit school and quit my job and sat in a canyon for the better part of two days.  When I eventually slowed down and stopped thinking, stopped allowing my mind to race, things eventually became clearer; the leaves were turning and fall was approaching.  As winds stirred the branches and leaves fell, I realized my family had shed another father.  And that eventually it would be my turn.  And in turn everyone after me.  That was my first real experience with the fact that the only constant is change. Conceptually, I had always understood this.  But now I was living it.

Thinking back on the surgery I’ve recently gone through, as well as the complications and troubles I’m still dealing with, I have to marvel at the fleeting nature of who we are, what we are, how we define ourselves.  I used to think myself healthy.  Until I suddenly found myself in a hospital bed.  And now that I’m recovering, waiting to see if the surgery worked, I am a person recovering, I have to take things slowly.  I’m still a husband and father and artist and teacher and many other things.  But I feel I must add recovering to the list as it so greatly affects how I can do those other things.  As much as I do not want to define myself as someone who is recovering, the experience has been profound enough that I feel I almost don’t have a choice.  It is invariably now a part of my past.   The danger of getting too wrapped up in the idea and identity of  recovering or being recovered is that this might not be the end of it, that I might find myself back in a hospital.  One day at a time, staying centered in the present, is the only way to stay sane..  But I have certainly learned and cannot forget that the health we have today is as fleeting as anything else.  It may be gone tomorrow.

I wish I was a better calligrapher.  Thinking about the coin metaphor, I believe that ink on rice paper might be more appropriate.  I imagine a scroll, the character for “Past” painted on one side, “Future” painted on the other.  The present, the sliver in between them, impossibly and almost imperceptibly thin.  The ink from “past” bleeds through the paper , mixing with and obscuring the ink for “future”.  And vice versa.  The stories and narratives that we carry from the past influencing what we will become; what we hope to be in turn changing how we see our history.  I wonder what story I am creating right now, how much of an influence it will have on my future.

My heart went wild in the middle of a lecture on aesthetics today.  I played it off well enough that I don’t think my students noticed, though I was sweating for a few minutes.  My immediate thought was that if it kept it up, I’d have to call an ambulance.  And then it went back to normal.  All of this in a few seconds.  I was told to expect episodes like this for the first few months post surgery, fits and starts and misfires as my heart is adjusting to its new electricity patterns.  This hasn’t been the first time.  Honestly, it’s terrifying.

The only antidote to the fear it causes is to take a firm grasp of the now, to live in that sliver of time where there is no room for anything else. The present is so thin that fear and anxiety and anger won’t fit.

If we can just learn to be quiet enough to catch it, to bring the mind back home, to remember what we’re forgetting.


Return to Water.

I made it.

The alarm went off at 0450 and I immediately stumbled with sleepy eyes to the computer to check the buoys and tides.

The numbers were a little bigger than I would have liked.  I was considering backing out, hoping for an easy, small morning.  I went back to sleep, setting the alarm for another half hour.  I’ll put off the decision.  I was a little nervous about my first attempt to get back in.

There is always a reason not to go.

That thought was the first to enter my mind when the alarm went off again.

I need to get back to normal.

The familiar drive, the sky slowly growing light, stopping to pick up John.

I brought both a pair of swim fins and a 5’8″ soft top surfboard. I’d decide which seemed safest when I arrived.  Each have their respective risks right now.  Swimming and bodysurfing is less likely to produce cuts or concussions, as long as I don’t tangle with the sea floor, but surfing would be easier on the heart as I’m not fighting currents to stay in place.  I wouldn’t normally want a soft top, but I figure it’ll minimize my surfing risks while I’m still on blood thinners.  Two months to go…

A little nervousness was palpable when I crested the hill for my first view of the ocean.  Water rough, things were a bit disorganized.  But there was some swell, a few nice rights peeling off the first jetty.  Six people were on it already, which didn’t seem appropriate for my my first time back out, so we walked further south to what we call Barnacles or the Bat Cave, a mollusk-encrusted concrete seawall known for fast waves.  The end of it facing the ocean is a black tunnel leading into the abyss, easily prompting nightmares about getting washed into it by a large wave.  Nobody likes sitting in front of it.

The waves were jacking up, refracting off the north side, barreling and slamming into shallow water.  Fun and fast and crazy looking, but definitely not for me today.

The south side was more promising.  Better shape, a little less violent.  I decided to paddle out on the board, fins would be too much work in all the current.

The water is still warm, I’m taking it easy paddling out, using the the strong current running the sea wall to pull me out faster.

A set is rolling in, I paddle harder to beat the first wave.

Diving deep I drive the nose into it, pushing the tail under with my foot, catching a quick glimpse of a school of sardines shimmering through its face.  I emerge out the back to spray from the breaking lip showering down on me, mist golden from the rising sun.

A baptism, a rebirth.  And smiles.

I didn’t want the morning to end.


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Rest is good, each day a little better than the last.  There’s still chest pain and heart inflammation, especially when I shift positions abruptly or go from standing to laying down, but it’s subsiding slowly.  My heartrate is a little fast and hard, but it’s regular.   Bleeding has stopped and my fever is almost gone.  Things are certainly looking up.

There is so much art on my mind.  I’d highly recommend the photographers above.  In the midst of the troubles I’ve been facing, there’s also been a lot of time to think about other things.  New projects, ideas, inspirations.  In a day or two I expect I’ll feel well enough for a little time in the studio with some wood or clay.  I’m purchasing a new bandsaw today, my mind racing with ideas for wooden utensils to compliment my pottery, namely chopsticks and spoons to accompany bowls.  A few large chunks of black walnut sit in my shop, waiting to be formed.

I’m on a ramen kick right now.  Not actually eating it, but contemplating whether or not a perfectly cooked bowl of ramen or soba in a quality bowl with good utensils is the ultimate expression of art in my world.  Not a creation that hangs on a wall and screams of ideas and for attention, but a collection of processes, skills, and objects that combine to become perfect in the moment.  Humble, simple, practical art.  Accessibility, functionality, and transience without getting the ego hopelessly involved.

I’m also thinking a lot about alternative surfcraft and bodysurfing.  I likely will not be able to ride a surfboard for the next six months because of the blood thinners I’m taking and cutting/concussion risks, but I’m actually looking forward to devoting some serious time and practice to bodysurfing.  I have a few ideas for new bodysurfing handplanes to make, maybe even a small paipo (bellyboard).  Below is a recent handplane I was able to take out a few times prior to surgery.  Carved from cherry with two concave channels on the bottom and finished with a few coats of sanding resin, I liked the fit and feel.  I’m still not entirely sold on handplanes though I have fun making them.  They allow you to make sections on smaller waves but are a bit of a swimming nuisance in large or steep surf.

The coming months are also going to be a good time to grab my GoPro and strap on some fins to try my hand at surf photography, providing I can keep from getting run over.

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Ever onward.

Strange Rhythms. (Part 4)

I’m on the other side now.

Thursday was my transesophageal echocardiogram (TEE), a scan performed to check for blood clots in my heart prior to surgery, to make sure nothing can get dislodged by a catheter and cause a stroke.  If you have a strong fear of choking or things in your throat, which fortunately I’m not too bad at, this one would be a nightmare.  I kept telling myself it was practice for sword swallowing.  The morning starts with the usual four attempts to get an IV started, the doctor becoming impatient as he keeps returning to find the nurse still struggling.  My arm is a bloody mess by the time we have a line going.  They’re in a hurry, the blood can wait.  In comes the echocardiograph machine with the same operator I remember from a few weeks ago; she remembers me because of my tattoos and expresses hope that I’m not in here because of something she found inside me.

I was under the impression that the TEE was performed with a skinny wire and did a double-take when I saw a two foot long flexible black probe about as thick as my pointer finger.  The tech met my look with a shrug and slight smirk.  This is probably the part where a lot of people try to run away.  I was given a cupful of lidocaine jelly to let sit at the back of my throat and gargle and swallow, followed by a few sprays of another topical anesthesia.  Instant panic.  Along with not being able to feel whether or not I could swallow, it started to become difficult to feel my own breathing.

And then a shot of sedative in my IV.  Whatever it was, it was good.  All the fear instantly subsided. I see how people go off the deep end on medical grade drugs.  And then another shot.  Even better.  I melted into the gurney, feeling more relaxed than…ever?  Alarm bells should have been going off when a plastic tube and mask were strapped onto my face to hold my mouth open and prevent me from biting down.  But I was just too comfortable.  When the probe was in the back of my throat they told me to swallow, creating a brief opening so it could be forced down.  Once down in my esophagus behind my sternum it was a pretty strange and uncomfortable sensation; literally that of hard metal and plastic rubbing around somewhere deep in my chest.  As they flexed and rotated it while scanning my heart I lay there passively in my drug-induced haze, surprisingly not worried about what was being done to me, though it was uncomfortable.  An entire life could go by and it wouldn’t bother you in that state.  Thirty minutes later the scan was finished and the probe was pulled out with one swift, horrible tug.  I was cleared for surgery and they began prepping me for the next morning; some final bloodwork and getting shaved from knees to chest.  I was discharged with an incredibly hoarse and raw throat, getting worse as the drugs wore off and the day wore on.

The night before surgery went by in a blur.  I did a fairly good job of not thinking about it.  The drive to the hospital at 6AM the next day felt a little like a trip to the gallows, filled with complete uncertainty as to what was going to happen.  It’s the waiting that makes you crazy.  While I stood in line to check in, it was difficult looking at my wife, mother, and sister sitting in the waiting room together.  These are my people, the ones that pull together.  I couldn’t help feel that while they were obviously there for me, I wouldn’t know it when I was out.  They were just as much there for each other and it was good to see them together.  Other families filed in, probably five in all, forming little units units of kinship throughout the room.  I couldn’t help but notice that all of the patients were men.

One by one, nurses filed in to call respective patients and lead them off to be prepped.  Deep breaths, hugs, tears welling behind eyes.  Soon it was my turn, led down a hall and to my gurney.  Undressing, starting IVs, meeting my nurses, anesthesiologist, my surgeon.  I’m told about the procedure, that my surgeon is now opting for cryo-ablation, a process whereby instead of using heat, cold balloons will be inflated around the openings of my pulmonary veins in the left atrium.  The extreme cold will destroy any bad electricity, isolating the veins and the bad signals they are producing.  It is supposed to carry slightly less risk than using heat.  I’m then dutifully reminded of what those risks are, informed that there is a possibility I could end up in open-heart surgery, or worse, due to certain complications.  At this point there’s nothing left to do but agree and move on.

Family was let in for a last goodbye. Everything said tends to feel like it falls a little short.  There’s not enough that can be said or done by any of us.  We can only try.  They can’t go down that hall with me so they turn to each other.  I make the walk with my head up, escorted by a nurse and anesthesiologist.  It’s all-in at this point and I’m feeling alert but not nervous.  All I can do is what I’m told.

The surgery room is like the command center of a space station.  A bank of a dozen monitors hover over the table in the center.  The table is also part machine, a massive rectangular block covered in knobs and controls, likely those to be used to guide the catheters and probes inside me.  Machinery, wires, hoses, computers, and tools are everywhere.  Drugs that will induce arrhythmia so they can focus in on the electrical sources.  The ceiling is covered in cameras and scanning devices.  And the system begins to roll, inertia quickly building, orders and confirmations flowing between the staff.  My surgeon is getting dressed in the back as nurses and techs hurry in circles around me.  Electrodes, patches, IVs…I’m being synced with the machines that surround me, every facet of my physical existence being measured and displayed on a screen.  I hear the surgeon beginning an audio recording in the corner with my name and the time and date as nurses begin propping up my arms and padding and securing my head.  The anesthesiologist puts an oxygen mask on me and tells me to take a few deep breaths and that if I feel sleepy, to just go with it and keep breathing.  Here we go.  By my third breath I’m gone.

I was in surgery for seven hours.

Or more precisely, my body was in surgery for seven hours.  I don’t know where I was.  I am convinced that this is what death is, only without waking and remembering that place of nothingness.

But I do eventually awaken.  Images are fading in and out slowly.  A nurse talking to me.  Lights.  Then Lusi and my mother and sister, the curtains of the recovery room.  I’m incredibly disoriented and feel like I need to throw up.  I here someone very far away tell me the surgery went very well, a vague image of my surgeon standing there, and blackness again.  I remember saying goodbye to my mother and sister, more blackness.  I start coming to in another area, still fighting nausea.  Slowly things start to become more clear.  Lusi is beside me.  I’m told again that everything went well and the surgeon is very happy with the results, that he believes he wiped out all the bad pathways.  I start to become aware of a nagging pain in my chest, pressure, and a feeling of tightness.  There is a heavy sandbag on my groin, applying pressure to the catheter sites.  Three incisions were made on the left, one larger one on the right.  It feels like I’ve been kicked in the groin a few times.  I have to stay completely flat for the next six hours.  The biggest concern at the moment is making sure I’m not bleeding; the risk is high as I’m on blood thinners.  My throat is sore and lungs feel congested.  I cough a chunk of blood and become suddenly aware of the discomfort of the urinary catheter that I didn’t know I had.  They assure me everything is OK.  It’s very difficult to believe them given the circumstances.  Six hours is a long time to lay flat and still when your body is wracked by all sorts of strange sensations and pains.

It’s a very long night.  I’m exhausted but sleep won’t come.  Closing my eyes only causes me to immediately focus on the sensations throughout my body.  Instead of relief there seems to be more fear and anxiety on this end of the surgery than when I went in.  All of this is apparently based on faith.  On letting go.  On complete trust that when they tell you things are fine that they are, despite what you may be feeling or fearing.  Minutes tick by on the clock.  1AM.  2AM.  Lusi stays the night with me.  She’s been so good to me throughout all of this, dealing with all my irrationality and fear and anxiety, the sleepless nights, constantly giving.  I’d have certainly gone mad without her there, her presence and distraction being entirely necessary to keep from entering a panic. The night is a haze of waiting, nurses taking vitals, and laying there in discomfort until I’m eventually released to go with instructions and a new bag of medications the next day.  It is a huge relief to be set free, to be outside and on my way home.  It is also a time of great stress as I’m now on my own, left to deal with all the strange feelings and pains without the security of doctors and nurses nearby.  It is a little hard to believe that I’m ready to go home given what has just been done to me.  Fighting back this fear and anxiety seem to be the the first hurdles of recovery.  I’m new to this.

I come home to hand drawn “Welcome Back” signs from my children, who also saw it fit to hide and try to jump out and surprise me, no doubt the doctor recommended way of welcoming home someone who has just had heart surgery.

I lose it, they lose it, and we’re a mass hugs and tears.

And now it’s healing time.  Sleeping time.  Time to try and overcome anxiety and fatigue and chest pains and simply rest.



A Will Oldham song and video that somehow make too much sense to me right now:


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